Fine-tune hue and saturation

Photographers and designers can balance an image or explore a different color mood before publishing the final version.

Tune hue and saturation independently to remove a color cast, revive muted tones or create a deliberately shifted palette for a distinctive result.

How to use

  1. Open a PNG, JPEG or WebP image, then find the area whose color looks too cool, too warm or too dull.
  2. Adjust hue to rotate the colors, then tune saturation to control how intense they appear.
  3. Run the treatment and download the modified copy so you can compare it with the original.
  4. If the result looks unnatural, return to the original and try a smaller change.

Example

A graphic designer prepares a product photo. They correct a yellow cast by shifting hue slightly, then lower saturation to keep a natural look. They check the exported file on a neutral background before placing it in the layout.

Limits and formats

Where processing happens

All color work is performed locally in the browser. The file is not transmitted to any service and remains on your device during testing. You can try many adjustments without creating an account. Nothing is stored after you close the page, so the session remains private.

Frequently asked questions

What is the difference between hue and saturation?

Hue moves the dominant color, for example from blue toward green. Saturation sets how pure or intense that color appears. The two controls combine, but they do not change brightness in the same way. This makes it easier to correct a specific color problem without changing everything else.

How do I fix a color cast?

Find an area that should be neutral, then move hue in small steps. Compare often with the original to avoid creating a new cast. A moderate saturation setting helps keep the image looking natural.

Is the result suitable for print?

It can be a starting point, but screens and printers display color differently. For professional work, check proofs and adapt with an appropriate profile if needed.

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